Posts Tagged: Natalia Bencheci

DWELLING GEOFFREY BAWA’S WORKS

I don’t remember actually when exactly and how I got to know or hear about Geoffrey Bawa. But I remember how looking thought the book with his houses and other works just blown my mind.

DWELLING GEOFFREY BAWA’S WORKS

I don’t remember actually when exactly and how I got to know or hear about Geoffrey Bawa. But I remember how looking thought the book with his houses and other works just blown my mind.

The emotions in Luis Barragán’s architecture

Who doesn’t like to travel? And it’s even more exciting when this possibility is almost given to you with the purpose to deepen the research on what one like the most – in my case – architecture. That’s how, in

The emotions in Luis Barragán’s architecture

Who doesn’t like to travel? And it’s even more exciting when this possibility is almost given to you with the purpose to deepen the research on what one like the most – in my case – architecture. That’s how, in

VILLA NECCHI CAMPIGLIO 1888/1967

PIERO PORTALUPPI (Milano 1888/1967) via Mozart, Milano 1932-1935 photographer: Giuseppe Albera

VILLA NECCHI CAMPIGLIO 1888/1967

PIERO PORTALUPPI (Milano 1888/1967) via Mozart, Milano 1932-1935 photographer: Giuseppe Albera

Zumthor House, Haldenstein, 2005

Peter Zumthor, Zumthor House, Haldenstein, 2005

Zumthor House, Haldenstein, 2005

Peter Zumthor, Zumthor House, Haldenstein, 2005

Temple Motsu-ji, Hiraizumi

58 Osawa, Hiraizumi, Iwate 029-4102 The feeder stream, known also by its Japanese appelation, yarimizu, was designed to carry water into Oizumi ga Ike. It is located to the northeast of the pond. Its design is based on the geomantic principles

Temple Motsu-ji, Hiraizumi

58 Osawa, Hiraizumi, Iwate 029-4102 The feeder stream, known also by its Japanese appelation, yarimizu, was designed to carry water into Oizumi ga Ike. It is located to the northeast of the pond. Its design is based on the geomantic principles

Neue Nationalgalerie, 1968

Mies van der Rohe, Berlin, 1968

Neue Nationalgalerie, 1968

Mies van der Rohe, Berlin, 1968