Author Archives: nbencheci
Dubai is not “black and white”
In my perspective though is all very relative. I don’t know if that comes with the personal experience of being born, growing up and living in different cultures attenue your filters somehow.
Dubai is not “black and white”
In my perspective though is all very relative. I don’t know if that comes with the personal experience of being born, growing up and living in different cultures attenue your filters somehow.
DWELLING GEOFFREY BAWA’S WORKS
I don’t remember actually when exactly and how I got to know or hear about Geoffrey Bawa. But I remember how looking thought the book with his houses and other works just blown my mind.
DWELLING GEOFFREY BAWA’S WORKS
I don’t remember actually when exactly and how I got to know or hear about Geoffrey Bawa. But I remember how looking thought the book with his houses and other works just blown my mind.
HABITAR A OBRA DE GEOFFREY BAWA
“Artigo nao publicado criado para candidatura ao Premio Tavora 10ª Edição em 2016. Portugal” GEOFFREY BAWA – Casa 33rd Lane, Colombo, 1960-98 HABITAR A OBRA DE GEOFFREY BAWA Sinopse da Proposta de Viagem “Tenho uma forte convicção de
HABITAR A OBRA DE GEOFFREY BAWA
“Artigo nao publicado criado para candidatura ao Premio Tavora 10ª Edição em 2016. Portugal” GEOFFREY BAWA – Casa 33rd Lane, Colombo, 1960-98 HABITAR A OBRA DE GEOFFREY BAWA Sinopse da Proposta de Viagem “Tenho uma forte convicção de
The emotions in Luis Barragán’s architecture
Who doesn’t like to travel? And it’s even more exciting when this possibility is almost given to you with the purpose to deepen the research on what one like the most – in my case – architecture. That’s how, in
The emotions in Luis Barragán’s architecture
Who doesn’t like to travel? And it’s even more exciting when this possibility is almost given to you with the purpose to deepen the research on what one like the most – in my case – architecture. That’s how, in
Modernismo Vernacular: para uma arquitectura emocional em Luis Barragán
Quem não gosta de viajar? E quando se te propõe a possibilidade de viajar com o intuito de investigar aquilo que mais gostas – a arquitectura, não hesitei e, em 2015, decidi participar no Prémio Távora Edição 9. Este é
Modernismo Vernacular: para uma arquitectura emocional em Luis Barragán
Quem não gosta de viajar? E quando se te propõe a possibilidade de viajar com o intuito de investigar aquilo que mais gostas – a arquitectura, não hesitei e, em 2015, decidi participar no Prémio Távora Edição 9. Este é
VILLA NECCHI CAMPIGLIO 1888/1967
PIERO PORTALUPPI (Milano 1888/1967) via Mozart, Milano 1932-1935 photographer: Giuseppe Albera
VILLA NECCHI CAMPIGLIO 1888/1967
PIERO PORTALUPPI (Milano 1888/1967) via Mozart, Milano 1932-1935 photographer: Giuseppe Albera
Zumthor House, Haldenstein, 2005
Peter Zumthor, Zumthor House, Haldenstein, 2005
nataliabencheci 